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“We’ve never been lacking in terms of bonus tracks for any of these periods,” Linett says. On Feel Flows, that means presenting the two albums, track/backing vocals and a cappella mixes, some live tracks, and then rounding up the numerous outtakes from the sessions. “And so any time that we can share that with people and give them a peek into the artistic process and the various components, let’s go for it.” “I am still blown away by the sheer inventiveness of the arrangements, both in the backing tracks and the backing vocals,” Boyd agrees. So that’s the kind of thing that we always try to expand on.” “When you dissect the music and see how all the pieces fit together, in some ways, it’s just as fascinating as the (final) record,” Linett says, “particularly their background work, the background vocals. Which is something that Linett and Alan Boyd, the other half of the production team, delight in doing with Beach Boys releases. It’s the kind of “deconstruction” (in co-producer/compiler/mixer Mark Linett’s words) that reveals just how much work went into creating these songs, and brings a focus to the care and attention to detail that’s so much a part of The Beach Boys’ music. ![]() Finally, there’s a previously unreleased alternate version with different lyrics. ![]() Then there’s a track and backing vocals mix, and a beautiful a cappella mix. You get the newly remastered album version, and a previously unreleased live version from 1993. ![]() Take “Add Some Music to Your Day,” from Sunflower, for example. MUSIC COLLECTOR ADD DISC TO SET FULLSunflower and Surf’s Up get the full 5-CD box set treatment on Feel Flows, with plenty of bonus material allowing you to experience a song in various stages of developments. MUSIC COLLECTOR ADD DISC TO SET SERIESSuffice it to say however, this is very nearly as good as it gets.įeel Flows - The Sunflower & Surf’s Up Sessions 1969-1971 is the latest in the series of expanded releases of The Beach Boys’ catalog that began with 1997’s The Pet Sounds Sessions and continued through releases as The Smile Sessions (2011), 1967 - Sunshine Tomorrow (2017) and digital-only collections like I Can Hear Music: The 20/20 Sessions(2018). Is it Dylan at his best? Well, that would be a difficult question to answer, especially considering all the comparisons that would be culled from his catalog as a whole. As a result, Springtime in New York ranks high in the Bootleg Series, simply in terms of its superb selection of songs. Here again, the offerings are of a consistent quality, so much so that the castoffs favorably compare with the keepers that originally made the cut. MUSIC COLLECTOR ADD DISC TO SET TVThe final disc offers more Empire Burlesque outtakes, as well as two live tracks, a version of “Enough Is Enough,” recorded at Slane Castle in Ireland, and “License To Kill,” taken from a rare TV appearance, this one culled from Late Night With David Letterman in 1984. Notably, too, he still hadn’t lost his trademark phrasing and delivery, a refreshing reminder of Dylan’s distinct vocals prior to the raspy croak found in his latter-day recordings. “Clean Cut Kid,” “Jokerman,” Blind Willie McTell” and “Sweetheart Like You” remain prime examples of Dylan’s revival and renewal and, indeed, some of the best examples of his post-’70s efforts. Disc one is devoted entirely to rehearsals, and within that sphere, it finds Dylan tackling a few covers Self Portrait-style - among them, takes on the Dave Mason latter-day standby “We Just Disagree,” Dion’s “Abraham, Martin and John” and the seminal standard “Mystery Train.” CDs two, three and four are devoted to alternate versions and outtakes from each of the aforementioned albums, and in many instances, they work as well as the originals. ![]()
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